Distiller magazine

Distiller FA 2020

Distiller magazine a publication of the American Distilling Institute, the Voice of Artisan Distilling; devoted to the craft spirits industry: vendors and distillers alike.

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fall 2020 | 79 in one day!" Garciabueno's enjoyed a 30–40% sales increase during the 2020 pandemic over the 17 states into which it's distributed. He views the appellation problem of agave spirits within Mexico as self-de- structive. "A pity the producers are unable to work together in a categorical fashion," he says. "I educate my distributor sales reps by emphasizing that the types of agave products vary as much as wine grapes and countries." Pedro Jimenez came upon the raicillas of Cabo Corrientes's "Japo" when journeying with his wife in Jalapa in 2008. e three semi-cultivated agaves he uses are harvested completely ripe from 7 to 35 years of age. "Batch variation differs too much between pro- ducers to say that one species is distinct from another," he says, a point in some part supported by the fact that each species grows in a single microclimate zone. His preferred supplier roasts piñas in an underground oven with oak or wild fig, leaving it up to 26 days, allowing for early fermentation to begin. ey're then left to rest up to 28 days, covered with palm leaves. e piñas are then crushed with wooden mallets, with spring water added to aid fermentation, which takes an additional 23 days, using only wild yeasts. e fer- mented wash is then distilled in a Filipino still and bottled at 48% ABV. Jimenez's US importer, David Suro, is equally committed to communicating raicil- la's traditional aspects in the 20 states where it's selec- tively distributed. "e advantage we have now," Suro says, "is that people are willing to pay more for craft spirits." is, he adds, despite the fact that some pro- ducers are beginning to move away from the historical and cultural aspects of production in order to grow volume. "I'm cautiously optimistic that the ecosystem, Still at Altamina Ì …some producers are beginning to move away from the historical and cultural aspects of production in order to grow volume. "I'm cautiously optimistic that the ecosystem, the culture will be maintained and not shift to what the market may demand," Suro says.

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